An outsider by choice
Sometimes you’re 23 and standing in the kitchen of your house making breakfast and brewing coffee and listening to music that for some reason is really getting to your heart. You’re just standing there thinking about going to work and picking up your dry cleaning. And also more exciting things like books you’re reading and trips you plan on taking and relationships that are springing into existence. Or fading from your memory, which is far less exciting. And suddenly you just don’t feel at home in your skin or in your house and you just want home but “Mom’s” probably wouldn’t feel like home anymore either. There used to be the comfort of a number in your phone and ears that listened everyday and arms that were never for anyone else. But just to calm you down when you started feeling trapped in a five-minute period where nostalgia is too much and thoughts of this person you are feel foreign. When you realize that you’ll never be this young again but this is the first time you’ve ever been this old. When you can’t remember how you got from sixteen to here and all the same feel like sixteen is just as much of a stranger to you now. The song is over. The coffee’s done. You’re going to breathe in and out. You’re going to be fine in about five minutes.
The Winter of the Air   (via sourwolfie)

“women are weaklings!”

i’m strong enough to carry

your corpse to the woods

mswyrr:


Feminist snark, 1915 style

mswyrr:

Feminist snark, 1915 style

image

missanthropicprinciple:

This is probably one of the greatest things I have ever read.

apriki:


The book Leviathan, set on the brink of WWI, contains an “allegorical map” displaying the political climate in Europe at the time. (click for bigger)



“Germany is a massive military machine with weapons aimed outwards to all surrounding countries. It points threateningly at Britain, not so much as a sign of direct aggression, but more as an indicator that it was now Germany’s turn to start a grand global Empire to challenge the world’s current one.
Britain is an militaristic lion beast with a Roman Imperial italic-type helmet. It sits upon a mound of riches gathered from its Empire. France’s elephant beast is influenced by the Elephantine Collossus built for the Universal Exhibition of 1889 in Paris. It represents France’s huge significance in WWI, which is something that tends to get a little glossed over. Russia is a huge imperialist bear, rotting from the inside, a prelude to its collapse during the war. It faces Germany, ready to defend itself.
Austria/Hungary is an aggressive armoured giant, teetering on shoddy foundations. It is also the primary aggressor in a land grab against Serbia, with two bayonets piercing the border. The Ottoman Empire is a teetering automaton, collapsing under the weight of a paranoid and ungainly spying network that gazes at Europe through many lenses and spy glasses. The Swiss watch ticks away the time, comfortable to wait it all out.
Serbia’s imagery is an indicator of the huge amounts of civilian deaths and suffering they find themselves subjected to. Norway and Sweden are both Scandinavian trolls in the style of John Bauer, watching events unfold. Portugal is a parrot for the Entente trying to goad a slumbering Spain into the war. Ireland looks askance to Britain and brandishes a shillelagh. An indicator of their very rough relationship at the time, and of their upcoming involvement with the Central powers. Italy is a clutch of snakes with intents on the Central powers despite existing agreements.”

apriki:

The book Leviathan, set on the brink of WWI, contains an “allegorical map” displaying the political climate in Europe at the time. (click for bigger)

Germany is a massive military machine with weapons aimed outwards to all surrounding countries. It points threateningly at Britain, not so much as a sign of direct aggression, but more as an indicator that it was now Germany’s turn to start a grand global Empire to challenge the world’s current one.


Britain is an militaristic lion beast with a Roman Imperial italic-type helmet. It sits upon a mound of riches gathered from its Empire. France’s elephant beast is influenced by the Elephantine Collossus built for the Universal Exhibition of 1889 in Paris. It represents France’s huge significance in WWI, which is something that tends to get a little glossed over. Russia is a huge imperialist bear, rotting from the inside, a prelude to its collapse during the war. It faces Germany, ready to defend itself.


Austria/Hungary is an aggressive armoured giant, teetering on shoddy foundations. It is also the primary aggressor in a land grab against Serbia, with two bayonets piercing the border. The Ottoman Empire is a teetering automaton, collapsing under the weight of a paranoid and ungainly spying network that gazes at Europe through many lenses and spy glasses. The Swiss watch ticks away the time, comfortable to wait it all out.


Serbia’s imagery is an indicator of the huge amounts of civilian deaths and suffering they find themselves subjected to. Norway and Sweden are both Scandinavian trolls in the style of John Bauer, watching events unfold. Portugal is a parrot for the Entente trying to goad a slumbering Spain into the war. Ireland looks askance to Britain and brandishes a shillelagh. An indicator of their very rough relationship at the time, and of their upcoming involvement with the Central powers. Italy is a clutch of snakes with intents on the Central powers despite existing agreements.”

Teach the ignorant as much as you can, society is guilty in not providing universal free education, and it must answer for the night is produces. If the soul is left in darkness, sins will be commited. The guilty one is not he who commits the sin, but the one who causes the darkness.
Les Misérables, Victor Hugo (via orangeareorange)
It’s like, that people … well, that everybody has a secret world inside of them. I mean everybody. All of the people in the whole world — no matter how dull and boring they are on the outside. Inside them they’ve all got unimaginable, magnificent, wonderful, stupid, amazing worlds … not just one world. Hundreds of them. Thousands, maybe.
Neil Gaiman {x} (via louis-theroux)
tyleroakley:

The most important discussion of our time happened in a YouTube comments section.

tyleroakley:

The most important discussion of our time happened in a YouTube comments section.